Sunday, July 20, 2008
It Doesn't Say "Stop" Fucktard.
Anyway, enjoy his rant. -ed.
I hate driving in this ridiculous state.
If you've grown up in New England, outside of Massachusetts, you'd freely associate terrible driving with any car with Mass plates. You see those white and red tags anywhere, even in-state, and you know that there's likely an asshole behind the wheel.
First before I go any further, let me state for the record that I'm a horrible driver. It's because I think every time I get into traffic I'm manauvering around the track at Darlington International Speedway. I tailgate, I don't use my signals, I speed, I make lane changes at the last second. I freely admit to doing these things.
What makes me a hypocrit to a certain extent is that people in this goddamn state do not know how to YIELD. What compounds this fact is that every ten feet on this fucking Hook, there's a fucking rotary.
Let me play out the scene as it typically unfolds in front of me: I'll be driving home from work along this one particular stretch of highway, and I'll be approaching this big rotary. There will be about five cars ahead of me, and I'll look towards the left, where traffic on the rotary should be coming from.
But there's no traffic. Nothing. Maybe a lonely fucking tumbleweed will be blowing across the road, but that it. It looks like some post-apocalyptic waste land.
And yet, I see break lights. I see a shit ton of red lights, lighting up, and the guy out front of everyone, with his MA tags, has come to a complete hault.
IT'S A FUCKING YIELD! DO YOU KNOW WHAT THAT MEANS?! IT SURE AS HELL DOESN'T MEAN STOP, BECAUSE IF YOU WERE TO STOP, THERE'D BE A FUCKING STOP SIGN, YOU INFECTED DICK!
So naturally, everyone slams on the breaks and it causes a back up in traffic. It's enough to make me want to go down to the zoo, kidnap a monkey, crack open it's skull, scoop out it's brains with a melonballer, and then proceed to poop into the skull cavity.
The way a rotary is supposed to work is that everyone just... goes. You just enter traffic seamlessly, and then leave traffic when you get to your little exit. You leave, someone else gets on. Granted, this isn't always the case, because large volumes of traffic can hinder the easy off and on of a rotary, but when there's zero traffic, you should just GO.
I see this as a problem too with highway on ramps in this state. Granted, they're ridiculously curved (like my cock) so seeing on-coming traffic is a little tricky, but coming to a complete stop at the yield sign at the end of the ramp is dangerous.
I'm going to be coming in behind you at about 65 mph, my cell phone in my one hand, a Dunk's ice coffee in the other, screaming at my roommate who for the 18th time this month has forgotten to do his share of the dishes, all while getting blown by my girlfriend to a soundtrack consisting of nothing by 80's hair metal, turned up to 11. I'm not expecting you to be sitting there, meagerly waiting your turn to join the fucking circus that is driving in Massachusetts, I'm going to be a Tomahawk Missel and your back end is going to be some Insurgent's asshole.
Just get out there, that's what I do. I come screaming around the corner at a high rate of speed and just say "fuck it." They have breaks, and it's a yield. Granted, I'm supposed to be giving way, but there's nothing there saying I'm to come to a complete stop- as far as I understand traffic laws. And I was a cop.
Sunday, July 6, 2008
Lazy Sunday: Pic Post


Up next, why the Iraqis are failing miserably at taking over their own country's security. Hey Ahmed, you're supposed to stand BEHIND the weapon.

Saturday, June 28, 2008
Best Of: June 2007
All names have been changed to protect the guilty.*
If you live in Southern Maine, passed through on your way some place else, or are vaguely aware that what some consider to be a suburb of Boston, is in fact a totally different state, you might've heard of the little shin-dig the locals up this way call "La Kermesse."
I don't know what the name means, but I can tell you it's a big French festival complete with rides for the kids, poutine for the people who know what the fuck that is, and a beer tent. The festival itself is preceded by a "block party" on Thursday night, followed by a parade that will open up the fair grounds come Friday afternoon.
Basically, it's an excuse for people to be drunk in public. Not that anyone who lives in the greater Biddeford area really needs an excuse to do so.
So over the last few years (aside from the fact I was living in New York) I've pretty much stayed away from the neon colored orgiastic culmination that is La Kermesse. I really have no desire to see people I went to high school with, whether they're doing better off than me or not, nor do I want to run into the citizens of Biddeford on the whole.
But last night, Thursday June 21st, I found myself smack-dab in the middle of the fray, on the York Street Bridge with some friends, most of whom I didn't even know two hours prior, standing and looking at fireworks through blurry bloodshot eyes, and surrounded by Parliment smoking, stroller pushing, tank-tops-with-skinny-arms having trash. How did I get here? Allow me to illustrate.
I get home from the office at about five, and my pocket buzzes just as I'm pulling off of 95 at the Biddeford exit. It's my friend *John*, a guy I went to high school with and is probably the most genuine guy I know, other than Hokie. He asks if I'd be interested in hanging out, and at first I'm thinking he's putting a card game together, and being broke, I say I'm going to pass.
Instead, however, he asks if I want to go to the fireworks "and shit" tonight. I totally forget that it's the La Kermesse weekend, only passing the giant fucking yellow billboard at the 95 on ramp everyday, twice, for the last two weeks. I say sure, and get a time, and proceed about my evening per usual.
I have dinner with mom which is just pizza out of the box. I manage to burn the roof of my mouth.
I get to John's house a little after 1930 and park in front. He calls from the window to come up stairs and I do so, only to find his drunk younger brother sprawled out across his bed, jabbering on about something. He's dressed head to toe in American Eagle and sports a frat-boy tan. I'm not exactly sure what's going on, because John's busy playing Counter Strike on his computer and his mom is yelling at his brother, who's managing to be at his most incoherent.
Apparently, John's little brother just got home from college for the summer. And he's totally shitfaced.
So that being said, I dig into my back pack and produce a can of PBR and sip on it as I wait to see what's going to happen for tonight. John escorts me out, and his mother calls out that she doesn't want his younger brother getting outside. Dumbly, I stand at the door, with it wide open, as like a cat, the little brother scampers out into the bright wilderness.
We go down into John's basement where he has a pool table, as well as other assortments of entertainment displayed about. It's like your grandparent's rumpus room, if this was the 1970s and people still had rumpus rooms. Or even put those two words together. You know what I mean.
Low ceilings, beer cans littered about, a used and tired looking punching bag propped up against a far wall. The door to get in is never locked and requires a leaned in shoulder to pop it open. We stand around, discussing his younger brother's lack of alcoholic tolerance.
"I told him not to come home. I sent him a text. 'You're shitfaced, mom's home, don't come home'" John says as he works some chalk on to a pool cue. I sip my beer and nod along, thinking back to my kidney destroying first year of higher education. At the time being, John's little brother is sitting, splayed out on the back yard, telling everyone who asks if he's ok that he's in fact, twenty-one years old.
"Dude, you gonna be good?"
"I'm twenty-one!"
"....Ok..."
This brings us to John's other two friends who show up at about this time. *Jerry* and *Dan* know John from college and I guess all play musical instruments together. Dan's a tall dark haired guy who still looks collegate and Jerry's built like a keg, and reminds me somewhat of a guy I went to high school with. Both of these guys are cool shits.
A game of billiards breaks out and John hooks his iPod into a stereo and we take turns talking about stupid shit that guys talk about when they play billiards. Who we've fucked, who we want to fuck, how fucked up we are, how fucking gay something is, how fucking gay you are, and how fucking gay we all are. It's a regular round table of fuck patois.
Suddenly, John's mom appears downstairs, visibly upset. She states that the younger brother has "taken off" up the street, with some female friends of his. She wants him back at the house, pronto.
Allegedly, according to John, his brother started drinking around four in the afternoon when he went to a friend's house, and came back stumbling. He's not much of a guy; he's probably 6' even and 150 lbs tops. Also, he's only eighteen, and although belongs in a fraternity, probably can only muster to hold down four Bud Lights at the most. Also, he probably likes to kiss men (John's words, not mine)
Like an crack army assault unit, myself, John, Jerry and Dan climb into John's Mazda and tear off down the street looking for his brother. It doesn't take us long to come up on him from behind, as he's leading a pack of about four high school aged girls down the hill towards the festivities below. He's weaving all over the side walk, hands out to his sides, head lolling from side to side.
John, who is also a former Law Enforcement Professional, expertly puts the car up on a sidewalk blocking his brother's path from furthering. We all step out of the car as if it was planned. We look like something out of a cheesey cop drama on syndicated television. One of the girls in the pack that was behind the little brother even exclaims to no one:
"Wow, you guys are like a SWAT team!"
You're fucking A right we are, missy.
John makes contact, and Jerry and Dan are quick to block the brother in like a wall of flesh. There's a little bit of a confrontation with a young girl who's obviously on something, but I take her aside and keep a perimeter. The girl says to me "I'm not scared of you guys, my dad's a cop."
"So are we."
"Oh."
With some explanation on my part and some coaxing on John's part, we snatch up his brother and pull off down a side street and get him back home. Where he will pass out sitting on a toilet ten minutes later.
Fast forward to later in the evening. The other gentlemen and I have been playing billiards, shooting the shit (shit patois), and throwing ping-pong balls at water filled cups on a ping-pong table. At some point in the evening, purely due to my inebriated state, I produce my scrotum and announce that I've seemed to have gotten gum on my shorts.
This psyches out Jerry, and leads Dan and I to take the title of Supreme Champions of Beruit, 2007.
John then receives a call from a girl he has some history with, and I encourage him to have her come over. My thoughts are that if she gets here, gets drunk enough, we could probably run a train on her.
Seriously.
*Celeste* shows up about forty-five minutes later, and she's your typical cute college girl. Nothing remarkable or unremarkable about her at all. Cute body, cute face, cute personality. John puts her on "myspace picture duty" as we continue to play Beruit.
Soon after, five strong, we make our way down the hill into the pit of sin, all while glittery explosives go off over our heads. The entire time the five-some is together, we're busting balls, laughing, clutching our stomaches, and weaving all over the road as we walk. People are lined up on both sides of the street, heads tilted skyward as they watch the pyrotechnics from their properties.
Almost as if, years ago it had been planned out, we pass by the sewage treatment plant as the entrance to the lower downtown area of Biddeford, where the "block party" is being held. All around us, carnivale-style games, people, food, etc surround us. The booms and sizzles of fireworks rain down on us from over head. The air is coated slickly with a haze of residual burning Marijuana, and it makes your skin feel greasy. Cheap looking, broken people shuffle their dirty-faced children past us. Each one of them clutching a plastic sword and swinging it expertly at crotch level.
We weave through the crowd and make our way to the bridge. Along the way we, inevitably, come across people we know- high school people, teachers, neighbors, etc. A guy I haven't seen since early on in college, comes up to John and I and puts us both in a head lock and squeezes. He goes on to tell us that the next day is the day he's signing his papers to be released from the Army. I tell him good luck with that.
We get offers to go drink at bars and parties and so on. But the collective mood of the five-some is to march back up the hill to John's, play a few more games of Beruit, and possibly clusterfuck.
Seriously.
We weave our way back through the crowd, heading back the way we've come. The fireworks are over now, with a substandard "grand finale" which lit up the sky like it was day time, and twice as loud, and suddenly I become aware of the increased police presence.
It seems all around us, cops in polos and standard uniforms, with ear pieces for their radios have materialized out of thin air. There's probably a ratio of every three people, one cop. It's startling.
Jerry is probably the most drunk out of everyone, and as we pass some carnivale-style games, the chatter starts to pick up.
One game involves a small inflatable pool filled with water containing rubber duckies. I'm not sure the premise of the game but that's exactly what it is. As we pass by, Dan says to Jerry, something like:
"I'll give you twenty bucks if you jump into that fucking pool,"
Of course, Jerry turns him down. It's going to take a considerably higher amount of money for him to engage in such baffoonery.
"Dude, back me up!" Dan slaps John on the chest and John grudgingly agrees to go in on twenty bucks as well. Now the dare's up to forty.
All eyes turn on to me. I look around, knowing that I don't have even ten dollars to my name, because I just paid all my bills today, I nod absently, and the crowd seems to go wild.
"Sixty bucks dude! Just jump in!" And Jerry still throws up the block.
This whole time, the only voice of sobriety and reason is Celeste's.
"You're so going to get arrested. There's cops all over the place," and this seems to hit home with Jerry immensely.
"Yeah dude, I don't want to get arrested on this dumb shit," He says and starts to balk, heading back towards John's house.
To be completely honest with you, gentle reader, I don't know why I chose the words to say at that particular moment, but maybe deep down, I wanted to see a little chubby guy jump into an inflatable pool filled with little rubber duckies. Maybe my dark side came out of me at that instant. Maybe I wanted to see if he'd get arrested, based purely on my deeply routed curiosity. Maybe I just wanted to call his bluff.
I lean over, touching Jerry's shoulder, placing my lips next to his ear lobe and say this:
"Do this, and you'll be the stuff of legends. People will talk about this for the rest of their lives. People you don't even know, but they're standing there, waiting for you to jump into that fucking pool. You'll be remembered forever. This is your legacy."
And with that, Jerry's eyes glazed over. A slow, goofy grin spread across his fat Donkey Lips lips and suddenly I glanced down and saw that he was standing in stocking feet, his shoes somehow coming off.
You see, men strive to leave a mark on this world, no matter how big or small. We want glory in all shapes and forms. To us we live for the conquest. This is why men climb Mt. Everest.
The psychological erection I gave him proved the jolt he needed. Much to the protest and physical strikes I was taking from Celeste, Jerry turned and started at a good trot towards the inflatable pool, some fifty yards back. We all stood watching in mixed disbelief, drunken grins pasted on to our faces, all of us chanting in unison "he's not really gonna..."
And then, he goes sideways in midair.
That's when I turned away, shocked, scared, knowing he was about to be swarmed upon by a mass of trigger happy Nazi, Nixon-esque Biddeford Cops.
What felt like an eternity passed as we four stood looking at each other. John starts to walk off, turning around only to say "I cant be caught up in this, I just applied to these guys like a week ago. Call me when you find out what his bail's going to be, and I'll come down and bail him. But I can't be here for this."
It's Dan who stands tall on behalf of his friend Jerry, stating "dude, we can't ditch him," and Celeste is quick to agree. Admittedly, my feelings were with John, and I teetered on the edge of staying or going, my vote being the decider.
But then, out of the crowd, as if it was the end of the film "Rudy" our pudgy counter part and La Kermesse Carnivale Terrorist remerges, soaked head to toe, jogging back to catch up with us. A roar goes out, as we collectively welcome him back, slaps on his back, hugs, and "holy shits" had all around.
Jerry ends up scraping his knees, and as he takes a seat by the sewage treatment plant, he retells of what happened:
"I fucking jumped in, and this guy, this guy grabs my collar on my shirt and goes 'you're not going anywhere' and I tried to run, but this cop comes up to me and goes 'do you have three hundred dollars for bail?' and I say 'no sir,' and he asks me my name and I tell him, and that was it." And for as simple of a story as it is, we're all huddled around our new hero in total awe.
"That was some pretty stupid shit," he finishes. He also makes it known that he wants his money ASAP.
We climb the hill back to John's house where things eventually wind down. Jerry and Dan decide to go out to Old Orchard to meet up with some other people to retell the tale of the night. Celeste, expertly deflecting my drunken horny advances, decides to go home ("I've gotta get home," she says "You can come back to my home," I come back with, "it's a home....") and I pick up my bag, wish everyone a good night, and manage to drive myself home without getting pulled over.
...And that's why I don't go to La Kermesse.
Tuesday, June 24, 2008
Short Fiction: Turn Key Operation
At
I bought the bar five years ago from an army buddy who was getting out of
It needed a lot of work; the floors were scuffed and horrible to look at, there wasn’t much in the way of entertainment. There was a small stage towards the back, but the amplifiers were blown out and there was only one tv in the whole place, directly over the bar. I won’t even start on the condition of the bathrooms.
So I spent three weeks, every day, for about fourteen hours a day remodeling the place to my specifications. It took my entire life savings, over forty thousand dollars to get the place the way I wanted it. I put in plasma screen tvs, bought new speakers, new fixtures, hired some new staff, restocked the liquor, bought some new signs and renamed the place from Koffa’s to The Ocean.
And it was a good name because we were in essence right on the ocean. There was a tiny strip of other clubs and bars along the water, and mine now faced out so that during the middle of the day the place was nice and airy, and at night there was a gentle breeze that would blow in through the front double doors. It was literally paradise.
That was until tonight.
It’s
I hadn’t even noticed it, until he mentioned it. I had been clutching a Berretta that I kept behind the bar in my right hand the whole time, the whole hour. My hand was numb, my arm throbbed, my face coated in a filth that consisted of blood, dirt and tears. I tucked the gun into my waist band and walked back inside.
There had been over two hundred people inside the bar when the bomb had gone off. I had been behind the bar, pouring a Bombay Sapphire Gin into a martini glass and flirting with a young American girl, much to my girlfriend Sara’s distaste. I remember pouring the drink, turning to see Sara standing at the other end of the bar, holding her waitress tray, a few empty glasses, apron tied tight around her slender hips. She was shooting lightening into my eyes and I shrugged sheepishly, grinning at her.
She was beautiful, long black hair, 5’6, slender body. During the reconstruction of the bar she had come in in the middle of the day to ask about tabling on weekend nights, she was 19 at the time, I was 27, and I was in love with her.
We dated off and on, mostly on, seldom off. We were always hot for each other, and we would do the most absurd things to make each other jealous. I’d flirt with the young tourists, she’d allow herself to be pawed by the male patrons to get better tips. But even when we were off, I’d always walk her to her apartment at the end of the night. And if we were on, I’d follow her up.
So here I am, standing there, holding a bottle of gin looking at her. She simply shakes her head and walks on over. She leans across the bar and puts her face to mine and tells me that I’m a dirty old man. She’s 24 now, I’m 32, and she pushes her fingers into my receding hair line, and grabs a hold of my short black curls. I smack her lightly on her cheek and tell her that I always knew she loved dirty old men. She smiles sweetly, turns, and struts off back towards the front of the bar where there’s more tables that need tending to.
At about that time, things seem to happen in a lurch, like your DVD is on the fritz. I put the bottle of gin down on the back bar, and turn to look out the big picture windows at the crowd outside. It’s a typical Friday night, the place is an orgy of young faces, laughing, singing, drinking. There’s not a bad seed in the crowd, no one here looking for a fight or to prove themselves a man. It’s mostly tourists and youngsters from the nearby hotel resorts. I let myself smile.
I approach the register to swipe the young blonde’s credit card, when I notice my doorman, Ari stand up from his stool and walk towards someone on the sidewalk. It’s something in his walk, his approach that makes me stop in the middle of what would be an uninterrupted credit card transaction. I stand watching him, and see where his eyes are staring at. I hired Ari on a recommendation from a friend who’s still working in the Mosad, he told me Ari knew his shit, and was looking for some laid back weekend work. I had no problem hiring him. He’s bald, 6’3 and two hundred and sixty pounds, he fills out a black t shirt like a typical bouncer, only unlike a typical bouncer he carries a degree in five different disciplines of martial arts and is the fore most expert in Israeli Krav Magna.
Ari walks up to a small skinny sickly guy in a brown coat. His hair is wet and combed to the side of his head. From where I’m standing at the bar, which is about twenty-five yards from the scene outside, I can see the whites of his eyes. I can see his Adam’s Apple bob in his throat. And just as I’m getting the thought into my head that there’s something very wrong with this, the coat puffs out, like he’s got an air compressor under it. It balloons out from his body and tears. I smell cordite and burning, there’s a flash and what feels like my skull ripping open.
I come to on my back, covered in glass and booze. The bar is on fire, I can feel a rumbling slowly fading under my back, against my spine. I wasn’t out long, maybe half a second. I try to roll over to get on my feet but nothing in my body is responding to the commands from my brain. So I dumbly lay on my back, looking at the far ceiling from between my bent legs.
Sound comes back like you’re turning up the volume on the tv after putting it all the way down. It’s a slow build, first there’s the screams and moans. And then there’s the sound of feet moving. There’s furniture being tipped over, so on.
Finally my body goes into motion. I feel like I’m watching it more than participating. But I feel this need to do something, and then the shockwave rips through my body and brain: Sara. She was right by the door when the bomb went off, oh Jesus.
I turn over and feel every inch of my body reject the notion of moving, but I fight through it, pure adrenaline running through my veins. It’s not anger, but a sense of need. Like being under water and needing air, and fighting to break through to the surface. As I turn over, I’m looking at the Berretta, my nose almost touching the grip as it sits under the register as if it was oblivious to the bombing. I snatch it and push myself up on the bar.
There’s a fog, everything’s wet, people are lying on the ground withering, twisting. Some aren’t moving at all. Some don’t have all their parts. On a far table that’s still standing upright there’s a hand with a wedding ring on it.
The whole front of the building is blown inwards. Paper is all over the place, the floors black and shiny. Cars across the street black, glass everywhere. I clear the bar, clutching the gun and wade through the living Hell all around me. I try not to step on anyone but it’s hard to tell. Ceiling tiles hanging down, insulation on fire, little fires all over the place. I slip and fall down, my hand comes back up red.
Bodies are literally piled on top of each other and it’s hard to tell who’s who and who’s still alive and who isn’t. I call out her name, my voice is hoarse and strained. I can barely hear over the ringing and the people screaming. There’s soldiers outside with Galils and Uzis looking around in a cover pattern. An ambulance is already out front, stretchers already on the ground, people being haphazardly rolled on to their backs and lifted. Fuck a neck brace at this point.
I call her name again, and still nothing. For some reason I’m comfortable accepting that she’s dead. My rationale is that at least she didn’t suffer, hopefully. Hopefully she was close enough to the bomber to be obliterated and isn’t lying under a pile of bodies suffocating and bleeding. God it’s so hot.
Finally there’s a tug at my pant leg and I look down. I see her face, half of it. Her mouth is caked in black, and a rope of spit is between her two lips as she’s trying to talk, maybe say my name. I drop to my knees and grab her up, cradling her head in my arms.
I don’t remember crying, I don’t remember saying anything, just holding and squeezing. Sara’s body is half black, burnt. Her right side is blacked out completely. No hair on her head, just tufts on the left side. Her ear is missing, her eye is shut, mouth doesn’t even look like a mouth, just a twisted wound.
Her right leg is missing, a bloody stump slowly lifting and falling. I shake a little, and she clutches to my chest with a bloody paw. She shudders in my arms, like a gentle cough and her grip gets tighter. God, just hold on, please stay, please.
I lift my head and do as I was taught in the army. I call for a medic, I scream for a medic. I can’t find my voice, it’s buried under all the bodies and debris. I start to cry then, or maybe I’ve been crying all along. I just need someone to help me, help her. The anger then starts to build as she starts to fade.
Finally, a young medic in white runs over and grabs her from me. He pushes me aside and I try to get back to her, get closer to her. I want to tell her I’m not letting her go, I’m not leaving. I can’t find the strength, and I watch them drag her outside, her stump of a leg waving good bye as her head lulls backwards, her burnt face looking up at the young medic in white.
I would later find out that she died on the way to the hospital.
I received a check for two-point-eight million dollars in insurance coverage, and decided that it would be better to just move away. I could relate then to my friend who left
Saturday, June 14, 2008
Advice For Graduating Seniors...
You’re about to embark on a journey to higher education. You’re on your way to be an Elite, a member of a society of people who have gone the extra mile and succeeded. But it’s not an easy trip, and there’s lots of things out there that you might come across and have no idea what to expect. I hope this book is helpful, but seeing as I’ve not read it, I will give you some advice/insights from my own college experience (I graduated with a BA from John Jay College in NYC in December) which I hope will help you. Good luck!
-Your High School graduation is a big deal. For about a year. Then you, along with everyone you know – parents included – won’t give two shits. Try to find a nice place to put your high school diploma where it won’t get a soda can ring on it.
-College is mostly about learning to interact with your peers, not so much about what goes on in class. Actually, you should spend as much time not doing anything class related.
-That said, wait til the absolute last second to buy your books. If you decide to at all.
-On the subject of books, they’re overpriced and you will never use them. Just because they package a useless CD-Rom with the book, it automatically will cost you over 100 dollars. And when you go to “sell them back” to the bookstore, you get roughly 5% of what you paid. If you need anything out of a book for a paper, might I suggest Google.
-Your roommate, ideally, should be your best friend. He will only become your enemy. Do not ever trust him, or anyone he brings over, ever.
-“Girls? You’re a freshman, so they’re pretty much off limits.” -Jeremy Piven, PCU. That quote is totally true. However, as incentive to stick with college until you get your degree: the older you are in college, even as a sophomore, impressionable young freshman girls will flock to you. Hence, if you’re a Super Senior, 18 year old frosh chicks will literally sit on your hands and beg to be finger blasted by you on a stained futon in someone’s basement. Who’s basement? Like it matters, brah.
-Of course, there are three things you should never be without, ever. They are, in order of importance… Beer: Have plenty of it, because it makes you cool, girls cute, and your roommate’s shitty taste in music, rock. Condoms: they keep you from having to take trips to the campus clinic, unwanted baby’s mamas, and your pubes from falling out. Bottled Water/Brita Filter: It basically reverses all the side effects of the beer and fucking with a condom on.
-You will be expected to write ten to fifteen page papers on a regular basis. Don’t worry about this. These papers are going to be double spaced to begin with, meaning you’re only writing a 5 to 7 page paper. Also, your professors will NEVER read your papers. So the only things you need to concentrate on are the first paragraph and last paragraph, which will introduce your topic and reiterate your topic. Everything in between should be mindless filler/bullshit. It will never be read, don’t worry. Your grade will be represented by how many multi-syllable words you use in the first and last paragraph.
-If you have TAs (Teaching Assistants) and one in particular happens to be a hot chick, do everything you can to sleep with her. And I mean everything.
-You will gain weight. There’s nothing you can do. Accept it.
-Don’t be that dick that brings 6,541,661,484 DVDs to school with him. Your top 5 should be good enough.
You’ll find that girls in college are apt to make out with each other. This is a good thing.
-Being a freshman, you probably won’t be able to have a car on campus, that sucks, but think of the gas money you’ll save!
-Oh, you’ll shit a lot. A ton. I mean, an actual metric ton of shit will come out of your ass. The story will go around that the cafeteria laces its food with laxatives. This isn’t true; it’s actually the plate of French fries you’ve been eating as a meal for the last four months.
-Along with this, you will be constantly sick. Living in a dorm with a bunch of other guys, who barely bathe and masturbate when their roommates are at class and not washing their hands, will cause you to become ill. You can only kill the germs by drowning them in alcohol. Litre after litre of delicious alcohol.
-NCAA Div 1, 2 or 3 sports won’t mean shit to you, but your Residential Dorm Intramural Wiffle Ball League will be everything to you for five months.
I hope these tips help you out. And of course, best of luck.
j.
Tuesday, June 10, 2008
Best Of: August 2007
"Africa-Africa?"
"...Africa-Africa."
Anyway, enjoy. -ed.
"An Open Letter to Comedy Central: re: Carlos Mencia"
Dear Comedy Central/Viacom,
"The Mind of Mencia" has been airing on your network for almost two full years, and since has spawned something like four or five seasons since its inception. I'm writing you today to ask you to please cease and desist with this tripe.
I understand how it happened: Chappelle went Mariah Carey-Crazy, jumped the first jet to Africa and left you suits holding the bag in regards to a culturally relevant, hilarious 22 minute television programme starring an influential minority. You saw that you needed to plug the leak in the dyke as fast as possible, so you removed your thumb from your ass and jammed it as hard as you could into the widening gap.
No one blames you.
So you thought to yourselves that you'd find another "controversial" minority comedian who probably had some sketch comedy ideas kicking around, and Carlos Mencia seemed to fit the bill at that time. And again, no one blames your decision on this; Mr. Mencia at that time was relatively still underground but a fast rising star. He was "The Punisher of Comedy" and you guys wanted to bet it all, thinking you should snag him up before ABC gives him a sitcom ala George Lopez.
So you brought in Mr. Mencia and said "look Carlos, we love what you do, and we want to bring you to a wider audience. We want 'Carlos Mencia' to be a household name." And I'm sure he was on board for this. You gave him some creative licensing control, let him do his own writing, developing, etc. But what you didn't count on was that Carlos Mencia is a one-trick pony at best.
I've watched a number of episodes of "Mind of Mencia" and I find the title of the programme to be both ironic and telling. "Mind of Mencia" is twenty-two minutes of mindless jabbering and soap-boxing. The diminutive host dresses as if he shops at Baby Gap, with his "youthfully hip" t shirts and hoodies. It seems that he takes great pains to get his jokes across to the masses, and I'm sure he's under some oversight from Standards and Practices to keep things somewhat tasteful, even though the show is rated TVMA. But we know the big black block of a rating that pops up at the beginning of the show is a bait and switch tactic. There's nothing very adult about his humour at all.
Let me break down how I view the show in its entirety: There might be a half-hearted sketch at the show's opening depicting something overtly racist. Maybe Mr. Mencia has donned "white-face" make up and is acting like some pompous politician, or maybe he's donned "black-face" make up and is acting like some overzealous rapper. Either way he hops around his sketch like a wounded Ashlee Simpson at a live recording of Saturday Night Live.
Next there will be the typical splash graphic opening that I suppose is "edgy" and "urban" for the RedBull swilling kids who are just getting home from their jobs at Domino's Pizza or who are too stoned to change the channel after watching the same South Park you've been airing since May. Then Mr. Mencia will make his first appearance.
So he comes out holding a microphone, even though he's wearing a lapel mic. Mr. Mencia will then go on roughly a four minute mini-monologue about something about living in LA, or being a "beaner" or whatever happens to be the topic of the day. He tries very hard during this part of his show to really reach out to the television audience to get his socially charged point across. But again, he's falling short. He laces what could easily be a thoughtful speech with "duh-duh-duuhs" and mindless yelling. And then Mr. Mencia will shepard a D List level comedian who might really need the exposure on a nationally televised basic cable tv show, out on to his stage and let them rant, while he forces himself to laugh at weak attempts at humor. The whole thing is staged and very fake. For a viewer to convince themselves otherwise of the fact would be doing a disservice.
Then there's a commercial break, and when the show comes back, we the viewer are typically treated to a "man on the street" type waste of seven minutes, where Mr. Mencia and what I presume to be a small film crew, scour the streets of LA talking to tourists. The subject matter is usually something race driven, because the bulk of Mr. Mencia's schtick is racially motivated.
For instance, Mr. Mencia will ask a white person to immitate a black person, or have a black person immitate a jewish person, or have a hispanic act like their really mad at their boyfriend and hit him over the head with a chanchla... or sandle in English. He may or may not incorporate the use of a dwarf or his mentally handicapped brother Joseph in this portion of the show.
We go to break, and come back.
The last vignette is usually an in-studio sketch with a remarkably elaborate setting. I do have to give the set designers they're due in that regards. I wish I had more nice things to say about the show other than that, but I will give credit where credit is due.
On the subject of in-studio, how do you sell tickets or ... fill the seats of this set? I find it very hard to imagine people lining up to get into this show, but then again, the collective intelligence of Americans is somewhere between Forest Gump and Peter Griffen.
Anyway, so this last sketch will exhibit a number of horrible actors parading on to the set playing the role of despondant teenagers who are in need, apparently, of an attitude adjustment from Mr. Mencia. Mr. Mencia will usually take the role of some sort of authoritarian and the template is always the same: You'll have a depressed white "emo kid" who Mr. Mencia will tell "you're white, you have nothing to be depressed about!" a gay asian "you're gay, but it's ok, you like to do nails!" a butch lesbian "you should go try out for the Olympics... the Male Olympics!" a dumb blond "thank god you've got titties!" And finally a stereotypical black "gangsta" who Mr. Mencia will tell "you're homeboys won't always get your back when you go to jail, but he will!" and cue an obviously homosexual character who will come out and chase the character around the set and that's a wrap.
It's all very analgesic, and yawn inducing.
Again, suits, I appriciate the bind you were all in when you lost the greatest star to Comedy Central since Jon Stewart. But I urge you, on behalf of lovers of intellectual and thought-provoking comedy, please cancel "Mind of Mencia." I'm sure you could fill the empty time slot with another episode of South Park or Scrubs, or MadTv, or Drawn Together. All these shows are genius examples of greatly inspired writing and production.
Or, ... or you could stay the course and keep contributing to the "dumbing down" of America. ...But do you really want to be responsible for another Republican president? ...Think about it.
Thanks for your time,
J.
PS: And while we're at it. Let's hit the brakes on anything "Blue Collar" or with Larry The Cable Guy involved in it.
Sunday, March 16, 2008
What's Pissed Me Off This Weekend
What: Screaming, crying children.
The Scene: The mall.
How it went down: So I'm in Olympia Sports trying on new running shoes when from about ten miles away I hear this blood-curdling, back of the lungs screaming that could only be produced by one of two creatures: A wounded animal or a small attention-starved child. I've never liked children, and though maybe one day I might have a hand in one's production, I'm sure as hell not going to be one of these despondent parents that simply drag their screaming hell spawn by the wrist through public as if it's a wayward police siren.
So back to me sitting on this bench and trying on shoes... this family of overweight McDonald's-for-dinner-everynight, egg-shaped simians herd their screaming 6 year old into the store, and not only just stand at the entrance way so that everyone's attention is drawn to them, they then drag the little bastard over to where I'm sitting and sit his ass down right next to me.
Um, hello-o-o-o? Excuse me, apparently you didn't really earn that holey, stained and stretched "mom of the year" t shirt, huh? When the hell do you think it's appropriate to plant a fucking... screaming sound bomb next to someone? And I mean, this kid was fucking loud, man.
Now granted, it wasn't like I was at the Four Seasons or anything where that type of behavior would've been unheard of. No, I was in Olympia Sports trying to buy sneakers on the cheap. But still, the lack of consideration for everyone else in the world drove me to the point of near murder. I mean, the thing that really gets me is that these parents weren't even lifting a finger to silence this kid. And the dad! The dad, how spineless can one get? Fucking take charge of that little runt man! Grab him by the throat and say something like "listen here you little piece of shit: I made you and I can break you and no one will ever know what happened, you understand me? So shut the fuck up."
But here's the rub, America, what's lead to the degeneration of good parenting has been the trigger-happiness of organizations such as the Department of Human/Health Services, where with a simple phone call placed by the child, a SWAT team of care takers swam in on the house and shut down the whole operation. The parents get taken to court, custody of the children is awarded to the state, so on. And kids know this from talking to other kids at school.
Johnny: Jeez guys, my dad is a real ball breaker about me mowing the lawn this weekend...
Billy: Yeah, well if he gives you a hard time, call this number and tell whoever picks up that your dad hits you and gets drunk and makes you slave around the house. You'll be in Disney World by Friday.
And it's true! ...Well all but the Disney World part. It happened to friends of my parents a few years ago. They have a rebellious daughter with a love of drugs, booze and black guys. So one day, her dad, my dad's friend, decided he'd had enough with all the bullshit from his 16 year old, and told her that there were going to be some changes. She was going to get her car taken away, she was going to have a curfew, and she wasn't going out on school nights anymore. To this, the daughter called DHS, and in 24 hours she was getting put up in a motel room, free to do whatever she wanted, unattended by any adults, while her parents were looking down the barrel of insurmountable fines and possibly jail time for being "abusive."
Bullshit.
And the case is still pending, I think.
So yeah, anyway, don't bring your screaming kid around me. I'll break it's fucking neck like I would that of a small bird.
What: Bouncers/Doormen
The Scene: The British Brewing Company, Hyannis
How it went down: So me and a few of my shipmates wanted to go out the other night. We hit pretty much every bar in town. And we were doing it the right way, with a DD, which came in the form of my 19 year old roommate.
So we bop on over to the BBC (I now refer to it as the Big Black Cock) and go in to have some more drinks. The only problem is the fat fuck sitting on a stool by the door.
He's barely checking IDs, putting bracelets on people, basically marinating in his own fat juices. We all present our military IDs and he starts putting the bracelets on everyone, when he takes a second look at my roommate's ID.
"Hey, you're not 21," he says.
"Yeah, I know, I'm 19..." my roommate says truthfully. And I gotta give it up to my roomie, he easily could've just said nothing and gotten in and drank, but he's a stand up guy and knows the rules.
"Well, you can't come in then," and mind you, the BBC is a restaurant/BAR. And the fact that they're putting bracelets on people 21 and over... he didn't have to put a bracelet on my roommate, he could've just been like "ok well, you can go in, but you're not getting a bracelet for the bar."
"But he's our designated driver, you have to let him in," says another member of our party.
"No I don't," and now a crowd is starting to form behind us from the log jam we're creating.
"This is bullshit," I start. "You're going to turn away four paying customers because he's 19? He's getting us home safe tonight. Wow, I guess I know where the BBC stands on drunk driving..."
"Hey, don't give me a hard time, the door's over there," he says and points his fat finger backwards.
"There isn't even a sign here that says '21 plus tonight' so what the fuck dude?" The other member of our party says. Ryan just stands there, the obvious pawn in this chess game of inebriation.
"Listen, do I gotta call the cops here or what?" The fat pricks says through his sweat.
"No, no, we wouldn't want you to exert yourself anymore than you have to, tubs," I say and we leave. My roommate got really bummed out and it kinda killed our night altogether.
But what is it about doorman feeling like their god? Like would it have killed this guy (like the supposed blood clot he's bound to suffer) to let our driver in? I mean, me and my fellow of-age members were clearly shit faced, whereas our under aged driver was sober, polite and above all else, honest. So that's what you get for being a stand up guy? It's like getting AIDS from Abstinence.
So since then, we've decided that we're no longer going to be patrons of the BBC, because they're pricks, but also because they obviously want to see their customer's die in a fiery auto wreck because they don't believe in enslaving an under-aged person to chauffeur drunken hooligans.
Fuck'em.
(Editor's Note: Jim wanted to let everyone know that you should always designate a driver when you go out drinking, even if it's you and just one buddy. Although it's cool to drive drunk with a loaded firearm, and feel like 50 Cent, you probably can't afford a roomful of lawyers to handle your court case as Fiddy could. Designate a driver, because at best, you get pulled over and pay fines out the ass, at worst, you kill yourself or someone else. ....Hopefully a family with uncontrollable screaming children.)
Tuesday, October 16, 2007
The Problem With The Top-Whatever of Anything
No, it wasn't a deep cut from Led Zeppelin III, or that tartish bitch Celeste pitching her abomination of a morning show with the once cool Captain, but an advertisement for the radio station's "Top 500 Albums of All Time."
Let me break it down for you: You either go on their website or call in or ... fucking mail in something, breaking down your very favorite classic rock albums of all time, and some fucking intern at the radio station will tally up the votes and I guess the station will pick some weekend coming up where they will break down the list of fucking 500 (that's a five, with two, TWO! zeros...) albums. Now, I doubt they'll play each album in it's entirety because that would take way too long, but I'm sure there will be tracks from each record.
My problem is that radio stations like The Blimp feel that their listeners care about what the ... best 500 classic rock albums are. We don't. We don't even care what the top 100 best albums are. It'd be a stretch at 50, to be quite honest with you. So why are you going through all this bullshit to list out 500 albums?
"Holy shit, Billy Squire came in at 278?!" Someone will say, and then put the barrel of their shotgun into their mouths and kill themselves because life has come to a grinding halt for them. No. No that situation will not occur because this is all meaningless promotional bullshit. The design, on some level, is to get people to do exactly what I'm doing right now, which is talk about the station. Though I'm certain few people are taking the same approach I am. It's most likely like this:
"Wow, did you hear that BLM is going to play the top 500 albums of all time?"
"...No,"
"Well they are."
And there you have it. BLM further shoots itself in the foot by posting the results online, negating the listener from having to sit through everything, which in the end, robs the station of it's core duty, which is getting yokels to sit through poorly acted, tedius advertisements on it's station.
I really hate Top-Whatever Lists, for the same reason I hate Christmas: The beauty and the magic is lost on the actual day, because as comedian Lewis Black suggests, it's all in the anticipation. Christmas time is all about running around and buying gifts for people and waiting for them to open them, at the same time wondering what other people got you. You look at Christmas from Thanksgiving and it's a beautiful mecca on the horizon. Top-Whatever Lists work on the same basic principle. Because when we get to Number 1, we all collectively say:
"The Blizzard of Ozz was the number one album?" The equivelant to getting a pair of fucking wool socks on Christmas Morning.
(Editor's Note: James originally ended the article there, with the Ozzy reference, but then he went on forty-five minute tirade around the office talking about how The Beatles 'Sgt. Peppers' album will likely be number one, and kept crying 'bullshit' and then kicked over a rack of coffee mugs in our break room. He then left the building. If anyone knows how to get in contact with James, let us know. There's a pile of broken mugs, and a busted computer chair the janitorial staff would like to talk to him about.)